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Post by lolapunk on Nov 27, 2006 15:12:35 GMT -6
Canary in a Coalmine - The Police
First to fall over when the ATMOSPHERE is less than perfect Your sensibilities are shaken By the slightest defect
You live your life like A canary in a COALMINE You get so dizzy even Walking in a straight line
coalmine
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Post by Siren on Nov 27, 2006 20:38:37 GMT -6
This is from memory, so I might be wrong...
Working in a coal mine, going down down
Working in a coal mine, woo I'm 'bout to slip down
from "Working In A Coal Mine" by, among others, The Judds
next: slip
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Post by lolapunk on Nov 28, 2006 0:27:37 GMT -6
Good on ya, mate... I was thinking that very song but with a twist of Devo.
Slip Slidin' Away - Paul Simon
SLIP slidin' away Slip slidin' away You know the nearer your DESTINATION The more you're slip slidin' away
destination
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Post by Siren on Nov 28, 2006 21:42:35 GMT -6
There ain't no easy way to start this conversation So I'll just say what's on my mind Once our hearts both shared a common DESTINATION To love until the end of time
Lately we've been drifting further from each other Someone's gotta take the wheel I won't wait until it's too late to recover So let me tell you how I feel
I'll do anything if it'll bring our hearts together I'll stand and fight or get down on my knees If we can fix what's wrong and just go on in love forever Baby I'll be BEGGING, please
from "Please" by The Kinleys (Damn, I love that song!)
next: begging
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Post by lolapunk on Nov 29, 2006 0:17:00 GMT -6
Love Has No Pride - Bonnie Raitt
If I could buy your love, I'd truly try my friend And if I could pray, my prayer would never end But if you want me to beg, I'll fall down on my KNEES Asking for you to come back... I'd be pleading for you to come back... BEGGING for you to come back to me.
knees
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Post by Phalon on Nov 29, 2006 5:10:34 GMT -6
from Figured You Out by Nickelback
"I like your pants around your feet I like the dirt that's on your knees And I like the way you still say please While you're looking up at me You're like my favourite damn disease"
disease
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Post by Siren on Nov 29, 2006 19:46:30 GMT -6
My hat don't hang on the same nail too long My EARS can't stand to hear the same old song And I don't leave the highway long enough to bog down in the mud 'cause I've got ramblin' fever in my blood
Caught this ramblin' fever long ago, When I first heard a lonesome whistle blow If someone said I ever gave a damn They damn sure told you wrong I've had ramblin' fever all along
Ramblin' fever, The kind that can't be measured by degrees Ramblin' fever There ain't no kind of cure for my DISEASE
from "Ramblin' Fever" by Merle Haggard
next: ears
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Post by mabd on Nov 29, 2006 21:12:06 GMT -6
Back to Penny Lane In Penny Lane there is a barber showing photographs Of every head he's had the pleasure to know. And all the people that come and go Stop and say hello. On the corner is a banker with a motorcar, The little children laugh at him behind his back. And the banker never wears a mack In the pouring rain, very strange. Penny Lane is in my ears and in my eyes. There beneath the blue suburban skiesI sit, and meanwhile back In penny Lane there is a fireman with an hourglass And in his pocket is a portrait of the Queen. He likes to keep his fire engine clean, It's a clean machine. SKIES Maeve
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Post by fallenangel on Nov 29, 2006 21:42:03 GMT -6
Pavement Cracks~ Annie Lennox
The city streets are wet again with rain But I'm walkin' just the same Skies turn to the usual grey When you turn to face the day And love don't show up in the pavement cracks All my water colours fade to black I'm goin' nowhere and I'm ten steps back All my dreams have fallen flat
(Love don't show in the pavement cracks There will be no turning back)
next word : Colours
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Post by lolapunk on Nov 29, 2006 23:34:46 GMT -6
from Everybody Knows - Dixie Chicks
Tell me now if you came sneaking up behind Would you know me and see behind the smile I can change like COLORS on a wall Hoping no one else will find what lies beneath it all I think I hide it all so well
Stepping out, everyone can see my face All the things I can't erase from my life Everybody knows Standing out so you won't forget my name That's the way we play this game of life Everybody knows
Looking through the crowd I search for something else But every time I turn around I run into myself Here I stand CONSUMED with my surroundings Just another day Of everybody looking I swore they'd never see me cry You'll never see me cry
consumed
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Post by mabd on Nov 29, 2006 23:43:59 GMT -6
Black Is The Colour words and music traditional
Black is the colour of my true love's hair Her lips are like some roses fair She has the sweetest smile and the gentlest hands. I love the ground whereon she stands
I love my love and well she knows I love the ground whereon she goes. And I wish the day, it soon will come That she and I will be as one
I'll go to the Clyde and I'll mourn and weep Where satisfied I never shall be I'll write her a letter, just a few short lines And suffer death ten thousand times
This is an old song dating with tune origins probably dating to the 18th century. The lyrics were first recorded in around 1916. It is an Irish traditinal song, but the reference to the Clyde suggests a Scottish origin.
GROUND
Maeve
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Post by lolapunk on Nov 30, 2006 0:01:02 GMT -6
Maeve, I'll transpose the minutes on your posting time and call it a tie. And rock, paper, scissors is out of the question because I never play fair.
All I Really Want - Alanis Morissette ...and yes, there's a lot of lyrics here...
Do I stress you out My sweater is on Backwards and inside out And you say how appropriate
I don't want to Dissect everything today I don't mean to Pick you apart, you see But I can't help it
There I go jumping before The gunshot has gone off Slap me with a splintered ruler
And it would knock me to the floor If I wasn't there already If only I could hunt the hunter
And all I really want Is some patience A way to calm the angry voice And all I really want Is deliverance
Do I wear you out You must wonder why I'm Relentless and all strung out I'm CONSUMED by the Chill of solitary
I'm like Estella I like to reel it in And then spit it out I'm frustrated by your apathy
And I am frightened by the Corrupted ways of this land If only I could meet the maker
And I am fascinated By the spiritual man I'm humbled by his Humble nature, yeah
What I wouldn't give To find a soulmate Someone else to Catch this drift
And what I wouldn't give To meet a kindred
Enough about me Let's talk about you For a minute Enough about you Let's talk about Life for a while
The conflicts, the craziness And the sound of pretenses Falling all around, all around
Why are you so petrified of silence Here, can you handle this
Did you think about your bills Your ex, your deadlines Or when you think you're gonna die Or did you long For the next distraction
And all I need now Is intellectual intercourse A soul to dig the Hole much deeper
And I have no concept of time Other than it is flying If only I could kill the killer
And all I really want Is some peace, man A place to find a common GROUND And all I really want Is a wavelength
And all I really want Is some comfort A way to get my hands untied And all I really want Is some JUSTICE
justice
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Post by mabd on Nov 30, 2006 14:54:02 GMT -6
Maeve, I'll transpose the minutes on your posting time and call it a tie. And rock, paper, scissors is out of the question because I never play fair. All I Really Want - Alanis Morissette ...and yes, there's a lot of lyrics here... Whoa, Doc Da Li Lo La Punkchell, how did you get inside my head? I stopped when I read your post, dragged up Alanis and (here's where it is really strange) and chose justice. Honest, I really did --and even giggled cause I got wavelength in it for Phalon. Since you're here and all and it's trash night, wanna help? <ducking and running> If I Had a Hammer Peter, Paul, and Mary If I had a hammer, I'd hammer in the morning I'd hammer in the evening, all over this land I'd hammer out danger, I'd hammer out a warning, I'd hammer out love between my brothers and my sisters, all over this land. If I had a bell, I'd ring it in the morning, I'd ring it in the evening, all over this land I'd ring out danger, I'd ring out a warning I'd ring out love between my brothers and my sisters, all over this land. If I had a song, I'd sing it in the morning, I'd sing it in the evening, all over this land I'd sing out danger, I'd sing out a warning I'd sing out love between my brothers and my sisters, all over this land. Well I got a hammer, and I got a bell, and I got a song to sing, all over this land. It's the hammer of Justice, it's the bell of Freedom, it's the song about Love between my brothers and my sisters, all over this land. It's the hammer of Justice, it's the bell of Freedom, it's the song about Love between my brothers and my sisters, all over this land. WARNING Maeve
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Post by fallenangel on Nov 30, 2006 21:21:51 GMT -6
Back Door Man ~ Sarah Mclachlan
You open your eyes look around You feel the earth it wanders Out from under your feet the ground is not firm but soft and weak like skin under the touch cannot stop to falter Now the damage is done the certainties gone The spirits altered
And now the angry morning Gives the early signs of warning You must face alone the plans you make Decisions they will try to break
Our hands are tied on the table Maybe you can try at the back door man While the helpless line up on the doorsteps 'Cause its all they can do to try to get through All of your life you've lived in a world as pure As Eden's sixth day- Now all you've been allowed Is taken away- they will not let you be so proud And you have felt the fear growing inside Protest follows far and wide- they'll see how long It will take 'till you fall- from so much denied
next word: DECISIONS
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Post by mabd on Nov 30, 2006 22:45:07 GMT -6
Want More Bob Marley
Now you get what you want, Do you want more? (want more) Now you get what you want, Do you want more? (want more)
You think it's the end, But it's just the beginning. You think it's the end, But it's just the beginning. Go down back-biter, down back-bite; down back-biter, down back-bite!
Down back-biter, down back-biter; down back-biter, down back-bite!
They stab you in the back And they claim that you're not looking. But Jah have them in the region In the valley of decision. They stab you in the back And they claim that you're not looking. But Jah have them in the region In the valley of decision.
REGION
Maeve
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Post by lolapunk on Dec 1, 2006 1:41:11 GMT -6
I see your Marley and raise you one.
Duppy Conqueror - Bob Marley
Don't try to cold me up on this bridge, now I've got to reach mount zion - The highest REGION So if you're a bull-bucker, Let me tell you this - I'm a duppy conqueror, CONQUEROR!
conqueror
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Post by mabd on Dec 1, 2006 14:08:00 GMT -6
I'll see your Marley and raise you an oldie..
Heroine Barbarian Kevin Wald (sung to The Pirates of Penzance)
[We join our operetta already in progress. The infamous Pirates of Pergamum have just seized a bevy of beautiful Mytilenean maidens, and are attempting to carry them off for matrimonial purposes. Gabrielle intervenes, with a recitative (well, it's better than a pan flute solo):]
Gabrielle: Hold, scoundrels! Ere ye practice acts of villainy Upon the peaceful and agrarian, Just bear in mind, these maidens of My-TIL-ene[1] Are guarded by a buff barbarian!
Pirates: We'd better all rethink our cunning plan; They're guarded by a buff barbarian.
Maidens: Yes, yes, she is a buff barbarian. [Xena leaps in from the wings, with a tremendous war cry, does a mid-air somersault, and lands on her feet on the Pirate King's chest.]
Xena: Yes, yes, I am a buff barbarian!
[The orchestra starts up.]
I am the very model of a heroine barbarian; Through Herculean efforts, I've become humanitarian. I ride throughout the hinterland -- at least that's what they call it in Those sissy towns like Athens (I, myself, am Amphipolitan).
I travel with a poet who is perky and parthenian[2] And scribbles her hexameters in Linear Mycenian[3] (And many have attempted, by a host of methods mystical, To tell if our relationship's sororal or sapphistical).
Chorus: To tell if their relationship's sororal or sapphistical! To tell if their relationship's sororal or sapphistical! To tell if their relationship's sororal or sapphisti-phistical!
Xena: My armory is brazen, but my weapons are ironical; My sword is rather phallic, but my chakram's rather yonical[4] (To find out what that means, you'll have to study Indo-Aryan[5]). I am the very model of a heroine barbarian!
Chorus: To find out what that means, we'll have to study Indo-Aryan -- She is the very model of a heroine barbarian!
Xena: I wake up every morning, ere the dawn is rhododactylous[6] (Who needs to wait for daylight? I just work by sensus tactilis[7].) And ride into the sunrise to protect some local villagers From mythologic monsters or from all-too-human pillagers. I hurtle towards each villain with a recklessness ebullient And conqueror him with my swordwork and my alalaes ululient[8]; He's frightened for his head, because he knows I'm gonna whack it -- he's Aware that his opponent is the Basileia Makhetes!
[The music crashes to a halt, as the Chorus stares at Xena in utter confusion. She sighs.]
It's Greek. It means "Warrior Princess"!
[Light dawns on the Chorus, and the music resumes.]
Sheesh ...
Chorus: He knows that his opponent is the Basileia Makhetes! He knows that his opponent is the Basileia Makhetes! He knows that his opponent is the Basileia Makhe-makhetes,
Xena: Because I've got my armor, which is really rather silly, on (It's cut so low I feel like I'm the topless tow'rs of Ilion, And isn't any use against attackers sagittarian[9]). I am the very model of a heroine barbarian!
Chorus: It isn't any use against attackers sagittarian -- She is the very model of a heroine barbarian!
Xena: In short, when I can tell you how I break the laws of gravity, And why my togs expose my intermammary concavity, And why my comrade changed her dress from one that fit more comfily To one that shows her omphalos[10] (as cute as that of Omphale[11]), And why the tale of Spartacus appears in Homer's versicon[12], [She holds up a tomato:] And where we found examples of the genus Lycopersicon[13], And why this Grecian scenery looks more like the Antipodes, You'll say I'm twice the heroine of any in Euripides!
Chorus: We'll say she's twice the heroine of any in Euripides! We'll say she's twice the heroine of any in Euripides! We'll say she's twice the heroine of any in Euripi-ripides!
Xena: But though the kinked chronology, confusing and chimerical (It's often unhistorical, but rarely unhysterical), Would give a massive heart attack to any antiquarian, I am the very model of a heroine barbarian!
Chorus: 'Twould give a massive heart attack to any antiquarian -- She is the very model of a heroine barbarian!
[As the orchestra plays the final chords, a wild Xenaesque melee ensues, and the curtain has to be brought down.]
Notes:
[1] Actually, "Mytilene" would properly be accented on the third syllable; Gabrielle always did have trouble with rhymes. (Mytilene, incidentally, is a city on the isle of Lesbos -- the hometown of the poet Sappho, as a matter of fact. It is not clear what, if anything, Gilbert is trying to imply here.) [2] parthenian: virginal. [3] Linear Mycenian: Mycenian is the ancient dialect of Greek which was written in Linear B (a form of Greek writing that predates the adoption of the alphabet). The implication is that Gabrielle does her writing in Linear B; if Xena takes place around the time of the Trojan war, this is chronologically reasonable. [4] yonical: "Yonic" is the female counterpart to "phallic". [5] Indo-Aryan: The language group consisting of Sanskrit and its close relatives. Both "chakram" and "yonic" are of Sanskrit derivation. [6] rhododactylous: rosy-fingered. (Homer makes frequent reference to rhododaktulos eos -- "rosy-fingered dawn".) [7] sensus tactilis: Latin for "the sense of touch". [8] "Alalaes" are war-cries (the Greeks spelled a Xena-like war cry as alala or alale) and "ululient" is a coined term, apparently meaning "characterized by ululation". [9] sagittarian: archer-like. [10] omphalos: belly-button. [11] Omphale: Legendary queen of Lydia. From context, we must assume that she had a cute belly-button; however, no known classical source seems to address this vital issue. [12] versicon: a coined term, apparently meaning "collection of verse". [13] Lycopersicon: the biological genus to which tomatoes are assigned. (The tomato is a New World plant, and was entirely unknown in the Old World in pre-Columbian times. Thus, having tomatoes in a Xenaish context is an even greater anachronism than having Homer tell the tale of Spartacus.)
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Post by Siren on Dec 1, 2006 21:07:08 GMT -6
Maeve, that is just...just....brilliant. Too too funny!
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Post by lolapunk on Dec 2, 2006 1:54:58 GMT -6
Whoa...
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Post by Phalon on Dec 2, 2006 8:28:09 GMT -6
BOLL, Maeve!
No time to find something for "barbarian" now though - gotta clean the spewed coffee off my screen before it dries.
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Post by Scrappy Amazon on Dec 2, 2006 8:46:51 GMT -6
HA! I think I can trump your barbarian! Romanian National Anthem "Awaken Thee, Romanian!" Awaken thee, Romanian, shake off the deadly slumber The scourge of inauspicious barbarian tyrannies And now or never to a bright horizon clamber That shall to shame put all your nocuous enemies. It's now or never to the world we readily proclaim In our veins throbs and ancestry of Roman And in our hearts for ever we glorify a name Resounding of battle, the name of gallant Trajan. Do look imperial shadows, Michael, Stephen, Corvinus At the Romanian nation, your mighty progeny With arms like steel and hearts of fire impetuous It's either free or dead, that's what they all decree. Priests, rise the cross, this Christian army's liberating The word is freedom, no less sacred is the end We'd rather die in battle, in elevated glory Than live again enslaved on our ancestral land. enslaved Oh.....and Ms. Punk? My friend, me comadre, il mio amica, mon ami....I have a gift for you. By the way....I almost went with inauspicious or tyrannies...but it's too close to christmas to get shot at. *g
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Post by fallenangel on Dec 2, 2006 9:52:06 GMT -6
Possession ~ Sarah Mclachlan
listen as the wind blows from across the great divide voices trapped in yearning memories trapped in time the night is my companion and solitude my guide would i spend forever here and not be satisfied
and i would be the one to hold you down kiss you so hard i'll take your breath away and after i'd wipe away the tears just close your eyes dear
through this world i've stumbled so many times betrayed, trying to find an honest word, to find the truth enslaved, oh you speak to me in riddles and you speak to me in rhymes my body aches to breathe your breath, your words keep me alive,
and i would be the one to hold you down, kiss you so hard, i'll take your breath away and after i'd wipe away the tears, just close your eyes dear
next word : RHYMES
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Post by mabd on Dec 2, 2006 22:46:11 GMT -6
The Ballad of Lucy Jordan Marianne Faithfull
The morning sun touched lightly on the eyes of Lucy Jordan In a white suburban bedroom in a white suburban town As she lay there beneath the covers dreaming of a thousand lovers Till the world turned to orange and the room went spinning round
At the age of thirty-seven she realized she’d never Ride through Paris in a sports car with the warm wind in her hair So she let the phone keep ringing and she sat there softly singing Little nursery rhymes she’d memorized in her daddy’s easy chair
Her husband, he’s off to work and the kids are off to school And there are, oh, so many ways for her to spend the day She could clean the house for hours or rearrange the flowers Or run naked through the shady street screaming all the way
At the age of thirty-seven she realized she’d never Ride through Paris in a sports car with the warm wind in her hair So she let the phone keep ringing as she sat there softly singing Pretty nursery rhymes she’d memorized in her daddy’s easy chair
The evening sun touched gently on the eyes of Lucy Jordan On the roof top where she climbed when all the laughter grew too loud And she bowed and curtsied to the man who reached and offered her his hand And he led her down to the long white car that waited past the crowd
At the age of thirty-seven she knew she’d found forever As she rode along through Paris with the warm wind in her hair
CURTSIED
Maeve
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Post by fallenangel on Dec 3, 2006 19:04:08 GMT -6
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Post by fallenangel on Dec 7, 2006 10:50:53 GMT -6
couldnt come up with curtsied/ how about curtsy
Backstreet Girl ~ Rolling Stones
I don't want you to be high I don't want you to be down Don't want to tell you no lie Just want you to be around
Please come right up to my ears You will be able to hear what I say
Don't want you out in my world Just you be my backstreet girl
Please don't be part of my life Please keep yourself to yourself Please don't you bother my wife That way you won't get no help
Don't try to ride on my horse You're rather common and coarse anyway
Don't want you out in my world Just you be my backstreet girl
Please don't you call me at home Please don't come knocking at night Please never ring on the phone Your manners are never quite right
Please take the favors I grant Curtsy and look nonchalant, just for me
Don't want you part of my world Just you be my backstreet girl
next word: FAVORS
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Post by mabd on Dec 7, 2006 11:05:04 GMT -6
Hello, Lonely Woman Neil Young
Well, hello lonely woman Won't you take a walk with me. I know a place where we can go Grab a bite to eat.
Hello lonely woman. Are you feeling all right? Well, you look just like heaven On a clear, clear night.
Well, I know you're a lonely woman And I know what's on your mind I won't ask you any favors I'm familiar with your kind.
I know you need me Like a river needs rain I won't ask you any favors Until I pass this way again.
EAT
Maeve
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Post by Siren on Dec 7, 2006 22:40:22 GMT -6
Must be doing something wrong baby I don't know But the gold fish are floating at the top of the bowl And the dog he won't EAT he just lays around All night long he makes a lonesome sound
I know I had it coming and it's all my fault But baby come back Before you KILL us all
from "Before You Kill Us All" by Randy Travis
next: kill
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Post by lolapunk on Dec 8, 2006 1:36:05 GMT -6
The Queen and the Soldier - Suzanne Vega
The soldier came knocking upon the queen's door He said, "I am not fighting for you any more" The queen knew she'd seen his face someplace before And slowly she let him inside.
He said, "I've watched your palace up here on the hill And I've wondered who's the woman for whom we all KILL But I am leaving tomorrow and you can do what you will Only first I am asking you why."
Down in the long narrow hall he was led Into her rooms with her tapestries red And she never once took the crown from her head She asked him there to sit down.
He said, "I see you now, and you are so very young But I've seen more battles lost than I have battles won And I've got this intuition, says it's all for your fun And now will you tell me why?"
The young queen, she fixed him with an ARROGANT eye She said, "You won't understand, and you may as well not try" But her face was a child's, and he thought she would cry But she closed herself up like a fan.
And she said, "I've swallowed a secret burning thread It cuts me inside, and often I've bled" He laid his hand then on top of her head And he bowed her down to the ground.
"Tell me how hungry are you? How weak you must feel As you are living here alone, and you are never revealed But I won't march again on your battlefield" And he took her to the window to see.
And the sun, it was gold, though the sky, it was gray And she wanted more than she ever could say But she knew how it frightened her, and she turned away And would not look at his face again.
And he said, "I want to live as an honest man To get all I deserve and to give all I can And to love a young woman who I don't understand Your highness, your ways are very strange."
But the crown, it had fallen, and she thought she would break And she stood there, ashamed of the way her heart ached She took him to the doorstep and she asked him to wait She would only be a moment inside.
Out in the distance her order was heard And the soldier was killed, still waiting for her word And while the queen went on strangling in the solitude she preferred The battle continued on
arrogant
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Post by mabd on Dec 8, 2006 14:44:59 GMT -6
DaLoLaLi Chellunk, that last one is amazing. Brilliant. Teach me more... I had never really listened to the lyrics..
You might know of these folks, fronted by Yona Dunsford and Carol Douet, they're righteously hot. <grin>
America for Beginners Latin Quarter
What's keeping the White House white Is it chalk, Is it fog, Is it fear? Are they staying up most of the night And sending somebody out for a beer? Is it bed-time for Bonzo? Is it time for a change? Is it flavor-free TV dinners? It's a hard thing to take, when they make a mistake America for Beginners.
The sound of a bell with a crack Even the swingers are swinging right The vigilantes are on the way back With prime-time 'fight the good fight'. What a start to a day It starts three times with a "K" There's no sponsored hour for sinners They'll bring back the hot seat And turn up the heat America for Beginners
You wear designer jeans after dark And your shirts are sharp-cut in satin But won't you watch out for Central Park And apartments in uptown Manhattan. It's a sign of the times Better stay arrogant
Because they've only got time for winners. Just keep living for fun, you son of a gun America for Beginners .
BEGINNERS
Maeve
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Post by lolapunk on Dec 8, 2006 15:47:32 GMT -6
I shall look up Latin Quarter, they're obviously not who I thought they were. Susanne Vega's early stuff is amazing to me; she was the first artist I noticed in my younger years who told stories in her songs. Somewhere around her Solitude Standing release her sound shifted, to my ears anyway, and she probably became one of the first artists I snobbishly said success had watered down the talent. So not fair. 'Luka' was her first big hit, maybe her only actually, and 'Tom's Diner,' a song she did acapella, was put to a dance groove by some English duo (I think duo) and it ruined the song. But she made some money on it, so I can't knock her for that. 'The Queen and the Soldier' and 'Marlene On the Wall' exemplify her talent, I'd recommend a collection that has both of those songs on it.
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